Above: The soapstone used in this Scandi farmhouse-style kitchen has a green undertone. It comes in different shades. I picked a dark gray, almost black, soapstone, but the stone comes in lighter grays as well. Plus, there’s character and warmth to natural stones that I don’t think you can get from engineered stones. And I love that I was able to choose a piece with particularly dramatic veining for my island. I like knowing that no two slabs are alike. While I get the no-fuss appeal of Caesarstone and other engineered materials, I far prefer the look of natural quarried stone. I profiled his stylish home, complete with soapstone counters, in Quiet, Please: A Stylish Apartment in Bustling Jackson Heights, Queens. Pros Above: Former Martha Stewart Living creative director Matthew Axe is also a fellow soapstone adherent. Here are the pros and cons of soapstone countertops. Soapstone’s famed patina? Turns out I’m not so keen on it. I chose a dark gray slab with beautiful veining and readied myself for a lifetime of picture-perfect kitchen scenes.įour years in-heresy!-I have regrets. And here and here.) By the time I left the company, I was a convert and even had soapstone counters installed in my new kitchen. (You can watch her wax poetic about the stone here. Soapstone was endlessly featured in the magazines I worked on and advocated by Martha herself. The team of designers, stylists, crafters, food editors, and other creatives I worked alongside believed in the DIY spirit, in the transformative potential of small details, in the worthwhile pursuit of domestic perfection-and, above all, it seemed to me, in soapstone. I spent a total of nearly five years as an editor at Martha Stewart magazines- Weddings and, later, Living-and what I remember most about my time there were my colleagues’ copious creative talents and near-religious commitment to good taste and design. Icon - Check Mark A check mark for checkbox buttons. Icon - Twitter Twitters brand mark for use in social sharing icons. Icon - Pinterest Pinterests brand mark for use in social sharing icons. flipboard Icon - Instagram Instagrams brand mark for use in social sharing icons. Icon - Facebook Facebooks brand mark for use in social sharing icons. Icon - Email Used to indicate an emai action. Icon - Search Used to indicate a search action. Icon - Zoom In Used to indicate a zoom in action on a map. Icon - Zoom Out Used to indicate a zoom out action on a map. Icon - Location Pin Used to showcase a location on a map. Icon - Dropdown Arrow Used to indicate a dropdown. Icon - Close Used to indicate a close action. Icon - Down Chevron Used to indicate a dropdown. Icon - Message The icon we use to represent an email action. Icon - External Link An icon we use to indicate a button link is external. Icon - Arrow Right An icon we use to indicate a leftwards action. Once I test importing the prop I will post it in the Visualizer forum.Soapstone Counters: Are They Worth It? - Remodelista Icon - Arrow Left An icon we use to indicate a rightwards action. I upgraded to S3 v3.12.2 today, but have not used it yet.īTW, I created a prop for the LOR RGB Flood Light 8 pack using the CMB24D controller. I really hate the idea of having to completely re-sequence the floodlight effects for all of my sequences.Īny help/recommendations would be greatly appreciated. It produced the desired shade of Orange, but it wiped out my fades. I tried using the Foreground and Background tools to apply 60% intensity to the Green channel to give me Orange. I want to copy my existing flood light effects into the RGB channels AND produce the desired shades of Purple and Orange for Halloween.
I have a lot of sequences completed from years past that have standard flood lights already sequenced. I am adding the LOR RGB Flood lights to my Halloween and Christmas shows this year. Is this only way to control the color of RGB devices in the Sequence Editor? Should I even be doing this in the Sequence Editor? Should I be doing this in SuperStar? Something else? For example, 100% intensity Red + 60% intensity Green = Orange (the shade of Orange that I want). It looks like playing with the intensity of a channel will give me greater control over the colors. This translates easily enough in the sequence editor: put the same effects on the appropriate RGB channels to get these basic colors. Making pure Red, Green, Blue and White are easy. I need to set the color AND take advantage of my old sequences.įor the record, I am very familiar with RGB values, as in using Photoshop and other photo/image editing packages.
How can I set the color of a dumb RGB device? OK, it is not quite that simple.
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